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	<title>Potential Estate</title>
	<link>http://www.potentialestate.us/</link>
	<description>Potential Estate is a scenario, put together by a group of artists examining collaboratively the possibilities of the idea of embarkation in North-America. After an exploratory mission in the U.S., Belgium, a small suburban entity situated in Wisconsin &#8211; founded by their Belgian and Luxemburg ancestors, has been identified as a potential terrain for a residential-annex-exhibition-project.</description>
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		<title>Potential Estate</title>
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		<title>Available </title>
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		<dc:date>2007-04-26T16:49:06Z</dc:date>
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<category domain="http://www.potentialestate.org/-Read-Further-.html">Read Further</category>


		<description>A few books available to our contributors

-
&lt;a href="http://www.potentialestate.org/-Read-Further-.html" rel="directory"&gt;Read Further&lt;/a&gt;


		</description>


 <content:encoded>&lt;img src=&quot;http://www.potentialestate.org/IMG/arton16.png&quot; alt=&quot;&quot; align=&quot;right&quot; width=&quot;65&quot; height=&quot;65&quot; class=&quot;spip_logos&quot; /&gt;
		&lt;div class='rss_chapo'&gt;&lt;p class=&quot;spip&quot;&gt;&lt;br /&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Etienne Balibar, L'Europe, l'Am&#233;rique, la guerre : r&#233;flexion sur la m&#233;diation europ&#233;enne, La D&#233;couverte/Poche, 2003.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; BAVO (ed), Cultural activism today. The art of over-identification; Episode Publishers, Rotterdam, 2007.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; J.Billing/M.Lind/L.Nilsson (ed), Taking The Matter Into Common Hands (on contemporary art and collaborative practice), Black Dog Publishing, 2007.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Maurice Blanchot, La Communaut&#233; inavouable, ed. de Minuit, 1983.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Jean Borreil (Joan Borrell), La raison nomade, Critique de la politique, Payot &amp; Rivages, 1993.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Lionel Bovier &amp; Mai-Thu Perret (ed), Heterotopias, JRP Editions, 2000.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Benjamin H.D. Buchloh &amp; Catherine de Zegher : Ver America, een uitgesschreven gedachtenwisseling, in America bruid van de zon, Imschoot books, 1992.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Matthew Buckingham, Message from the Unseen, Lund Konsthall &amp; Veenman publishers, 2006.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Collective, Odd Lots, Revisiting Gordon Matta-Clarck's Fake Estates, Cabinet books, 2005.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Ficcions' documentals, Fundacio &quot;La Caixa&quot;, Barcelona, 2004.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Anselm Franke &amp; Eyal Weizman, Rafi Segal &amp; Stefano Boeri : Territories (Islands, camps and other states of utopia), KW Berlin, 2003.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/squelettes/puce.gif&quot; width=&quot;8&quot; height=&quot;11&quot; alt=&quot;-&quot; /&gt; Edouard Glissant &amp; Alexandre Leupin, Les entretiens de Baton Rouge, Gallimard, 2008.&lt;/p&gt;&lt;/div&gt;
		&lt;div class='rss_texte'&gt;&lt;p class=&quot;spip&quot;&gt;&lt;br /&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Salah Hassan &amp; Iftikhar Dadi, Unpacking Europe, Museum Boijmans van Beuningen, Rotterdam, NAI publishers, 2001.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; William Alfred Hinds, American communities-the famous contemporary account of the 19h century utopias, Corinth Books, 1961.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Pamela Kort &amp; Max Hollein (ed), I Like America / Fictions of the wild west, Schirn Kunsthalle, Frankfurt, ed.Prestel&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Marc Lauwens &amp; Serge Purini, Les Indiens &#224; Bruxelles/ Exposition Universelle de 1935, Mus&#233;e royaux d'Art et d'Histoire, Bruxelles, 2007.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Henri Lefebvre, Espace et Politique, 2e &#233;dition, Ed. Economica, 2000.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Lipman, Warren &amp; Bishop, Young America : A Folk-Art History, Hudson Hills Press &amp; Museum of Folk Art, NYC, 1986.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Jacques Ranci&#232;re, Le Ma&#238;tre ignorant (sur Joseph Jacotot), 10/18.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Elis&#233;e Reclus, L'&#233;volution, la r&#233;volution et l'id&#233;al anarchique, Editions Labor, coll. Quartier libre, r&#233;ed. 2006.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; David Robbins, The ice cream social, JRP ringier, 2004&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; David Robbins, The Velvet Grinds (selected essays, interviews, satires 1983/2005), JRP/Ringier &amp; Presses du r&#233;el, 2006.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Martha Rosler, If you lived here : The City in Art, Theory and scoial activism. Edited by Brian Wallis, Dia art Foundation/New Press, NYC,
1991&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; H&#233;l&#232;ne Sarrazin, Elis&#233;e Reclus ou la passion du monde, editions du sextant, troisi&#232;me &#233;dition, 2004.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Blake Simons &amp; Gregory Sholette (ed.), Collectivism after modernism, University of Minnesota, 2007.&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Sean Snyder, Bucharest/Slobozia/Dallas/Pyongyang, DZ Bank Kunststipendium,
2002&lt;/p&gt; &lt;p class=&quot;spip&quot;&gt;&lt;img src=&quot;http://www.potentialestate.org/local/cache-vignettes/L8xH11/puce-b95cf.gif&quot; width='8' height='11' alt=&quot;-&quot; style='height:11px;width:8px;' class='' /&gt; Verksted N&#176;8, Recuperating Political radicality in Contemporary art, Office of ontemporary art Norway, 2006.&lt;/p&gt;&lt;/div&gt;
		
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