Adam Leech : "The Historian of Brussels, Illinois" (video, 2007, 4 min)
Zurich’s experimental film festival Videoex invites Potential Estate. Cabinet Voltaire consists in a compilation of videos shown in the context of previous Cabinets or selected for this event. All of them are premières in Switzerland. Next to Potential Estate’s collective film, the program includes films by guests artists Patrick Bernier & Olive Martin (F), Brian Springer (USA) and David Robbins (USA). The programs will be introduced by a member of Potential Estate. Videoex runs from May 21 to May 29. Potential Estate’s screening dates are to be announced soon.
Since 2006 Potential Estate has been developing a mobile, pars pro toto format – a Cabinet – in which knowledge dilutes itself into tales. Each Cabinet is a chapter in a plurivocal narrative whose epilogue is continually postponed. Using auctions, drinking games, bowling alleys, films, t-shirts and rodeos, Potential Estate invoke the ghosts of forgotten Modern figures, who often appear to them as venomous tricoloured snakes.
Each Cabinet is the chapter of a plurivocal narrative. One could already come across the ghosts of pedagogist Joseph Jacotot, communard geographer Élisée Reclus, multiple pseudonym Wally Hope, fourierist anarchist Marie-Adèle Anciaux, Hopi priest Cleo Jurino and artworks of guest artists Seth Price, Joe Scanlan, Jimmie Durham and David Robbins just to quote a few of them.
Unique artwork by Potential Estate
¡Tu dominio está libre! proposes you to acquire this domain name, which Potential Estate could use to host
its current website. Should the .be domain names disappear in the near future, then you can become their host!
Produced for Parallelograms.info
Potential Estate announces the distribution of The Crying of Potential Estate (Blank Version), a film of murder, money and multiplicity.
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Steps and ladders are an ancient and universal device for representing the growth, the upward and downward motion of nature. They are the symbol of achievement in the rise and descent through space, just as the circle, the coiled serpent, is the symbol for the rhythm of time...
David Freedberg / Pathos at Oraibi : What Warburg did not see
« Our ancestors sold Manhattan for trinkets. Today with the acquisition of the Hard Rock cafes we’re going to buy Manhattan back one hamburger at a time. »
Press conference Seminole Tribe
(...) Through something like Brecht’s estrangement-effect, naming as renaming can provide insight into what we call history, its making no less than its retelling, especially history of the spirits of the dead as the mark of nation and state, but I have in mind, by renaming, something else as well - namely the evocation of a fictive nation-state in place of real ones so as to better grasp the elusive nature of stately being. After all it is not only the writer of fiction who fuses reality with dreamlike states. This privilege also belongs, as Kafka thaught, to the being-in-the-world of the modern state itself.
Michael Taussig, preface to The Magic of The State, Routledge, 1997.
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